Archives

Authentic Feminism

Mary Magdalene Giving News of the Resurrected Jesus to the Disciples, by Philip Hermogenes Calderon (1833-1898)

Mary Magdalene Giving News of the Resurrected Jesus to the Disciples, by Philip Hermogenes Calderon (1833-1898)

At his audience on Wednesday, April 3, Pope Francis spoke at length of the beautiful privilege women have been given to proclaim the Gospel and to witness to the Truth and Beauty of the Resurrected Jesus in the world. This vocation is real, necessary and of vital importance.  It is a vocation that can be answered only by women and in a uniquely special way, because it is a role they were made to fulfill. True, authentic feminism embraces and cherishes this vocation, does not seek to pervert it into something it is not, and strives to fulfill it with all the gifts and graces at its disposal.

“But how was the truth of faith in Christ’s Resurrection transmitted? There are two kinds of witness in the New Testament: some are in the form of the profession of the faith, namely, synthetic formulas that indicate the center of the faith. Instead, others are in the form of an account of the event of the Resurrection and the facts connected to it. The form of the profession of faith, for example, is what we have just heard, or that of the Letter to the Romans where Paul writes: ” for, if you confess with your mouth that Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved “(10.9). From the earliest days of the Church, faith in the Mystery of Death and Resurrection of Jesus is steadfast and clear.

Today, however, I would like to dwell the second, on testimony in the form of the accounts that we find in the Gospels. First, we note that the first witnesses to this event were the women. At dawn, they go to the tomb to anoint the body of Jesus, and find the first sign: the empty tomb (Mk 16:1). This is followed by an encounter with a Messenger of God who proclaims: Jesus of Nazareth, the Crucified One, he is not here, he is risen (cf. vv. 5-6). The women are driven by love and know how to accept this proclamation with faith: they believe, and immediately transmit it, they do not keep it for themselves. They cannot contain the joy of knowing that Jesus is alive, the hope that fills their heart. This should also be the same in our lives. Let us feel the joy of being Christian! We believe in the Risen One who has conquered evil and death! Let us also have the courage to “go out” to bring this joy and light to all the places of our lives! The Resurrection of Christ is our greatest certainty, it is our most precious treasure! How can we not share this treasure, this beautiful certainty with others! It’s not just for us it’s to be transmitted, shared with others this is our testimony!

Another element. In the professions of faith of the New Testament, only men are remembered as witnesses of the Resurrection, the Apostles, but not the women. This is because, according to the Jewish Law of the time, women and children were not considered reliable, credible witnesses. In the Gospels, however, women have a primary, fundamental role. Here we can see an argument in favor of the historicity of the Resurrection: if it were a invented, in the context of that time it would not have been linked to the testimony of women. Instead, the evangelists simply narrate what happened: the women were the first witnesses. This tells us that God does not choose according to human criteria: the first witnesses of the birth of Jesus are the shepherds, simple and humble people, the first witnesses of the Resurrection are women. This is beautiful, and this is the mission of women, of mothers and women, to give witness to their children and grandchildren that Christ is Risen! Mothers go forward with this witness! What matters to God is our heart, if we are open to Him, if we are like trusting children. But this also leads us to reflect on how in the Church and in the journey of faith, women have had and still have a special role in opening doors to the Lord, in following him and communicating his face, because the eyes of faith always need the simple and profound look of love. The Apostles and disciples find it harder to believe in the Risen Christ, not the women however! Peter runs to the tomb, but stops before the empty tomb; Thomas has to touch the wounds of the body of Jesus with his hands. In our journey of faith it is important to know and feel that God loves us, do not be afraid to love: faith is professed with the mouth and heart, with the word and love.” — Excerpt from the text of the Pope’s General Audience, April 3, 2013

The New Noblewoman: An Authentic Feminine Mystique For This Generation

If you’ve increasingly felt distanced from the superficial, politicized, less than intelligent propaganda that currently passes itself off as “literature and media for women” then welcome to a breath of fresh air, a place where the unique inner life of the feminine spirit and mind is nurtured and cultivated, prized and revered. Welcome to The New Noblewoman (TNN).

Amanda Millay Lanier, founder and editor of TNN has graciously agreed to be interviewed for one tiny violetAmanda has created something totally unique to fill a noticeable void in the realm of women’s magazines and her work is simply saturated with BEAUTY!  Of course,  I fell in love with her publication and wanted to share it with you here. Grab a cup of coffee or a glass of wine and spend some time with Amanda as she shares her thoughts on beauty, the essence of what it means to be a woman, her eye for fine art, and her plans for the future of The New Noblewoman, then pop right over and check out the magazine!

one tiny violet (otv): How did the idea for The New Noblewoman (TNN) come about? In what ways is it different from other women’s magazines today?

Amanda Millay Lanier (AML): The concept actually started as a book. I’ve always been fascinated by history, especially the images of daily life in well-done historical dramas. I’ve always wished I could “go back in time,” but rather than simply pine away for the old days, I decided to figure out how to incorporate those elements into my life today. I started researching and writing a book that would describe the houses, clothing, food, and customs of women throughout history, and talk about how women can live similarly in the modern world. But given how hard it can be to find a publisher, and how discouraging it would be to work on a project for years with no feedback, I decided to create a website instead.

The New Noblewoman is different from other women’s magazines in a couple of main areas. One is that the articles—whether on style or gardening—draw heavily from the past. Reading TNN is a combination of a regular women’s magazine and a history lesson.

Armand Point, "The Golden Legend," 1898

Another difference is the images that accompany the articles. The world is filled with incredible artwork—yet magazines always use these awful staged photographs of models or celebrities. So reading TNN is also a way to get an art education as well, and it’s much more visually appealing than the typical women’s magazine due to the artwork.

A third key difference is in the values the site promotes: TNN is for modern women who are dealing with real problems—whether it’s what clothing to buy, relating to your spouse, or keeping a New Year’s resolution. But TNN focuses on ways to address these issues with wisdom and values that are timeless and emphasize good character and honor (both things that are rarely addressed directly in the typical women’s magazine).

otv: What does it mean to be a “noblewoman” in today’s society? Is it simply one facet of being a woman, or does it encompass several aspects of women’s experience?

William Blake, "Jacob's Ladder" 1800

AML:I think any woman can choose to be a “noblewoman” today. In ancient Greek, the word aristocrat simply means “the best,” and any woman today can be the best type of woman she aspires to.

And being the best (i.e., being “a new noblewoman”) should be something that infuses every aspect of a woman’s being—the way she walks, how she dresses, what type of food she prepares, what she does in her leisure time.

Of course, there isn’t just one set script for any of these things. Although TNN discusses etiquette and classic style, I think being noble is primarily about discovering your true self and fully exploring your talents. The only required aspect to being noble today (which is the same as it was throughout history) involves seeking out the higher aspects of life rather than being caught up in the materialistic, consumer society that surrounds us and is propagandized to us every day. That higher aspect could be through a love of art, literature, philosophy, homemaking, mothering, politics, or religion.

otv: How do you imagine the reader of TNN and what can that reader expect when she visits TNN for the first time?

AML: The readership of TNN is very diverse. There are women readers from college-age to middle-age, and a number of men too! We have a slideshow that features some recent articles and most popular articles, which provides a showcase of featured artwork. A reader can explore the website by the latest articles, which start on the homepage, or browse by topic. Our categories are Beauty & Style, Home & Garden, A Woman Should Know, Relationships & Etiquette, Poetry, and Inspirationals (a selection of inspiring quotes).

otv: The tagline for TNN – “The Art of True Womanhood” – raises two interesting questions: What does it mean to be a true woman? And in what ways is being this true woman an art?

AML: One thing that all nobles in history have in common is their emphasis on religion—since it’s only recently that there have been societies that are completely secular.   Whether it was pagan Rome, Hindus in India, or Christianity throughout the Middle Ages, the nobility were supposed to be ruled by spiritual guidelines and submit to the authority of the priests. If they didn’t have religious guidelines to temper their hearts, it would be easy for people with so much power to rule badly and no longer be the protectors of the people (and we have countless examples in history of when this happened). So I think the deepest truth of what it means to be a woman relates to her life as a spiritual being.

Frank Cadogan Cowper, "La Belle Dame sans Merci," 1926

There’s a lot of debate about what constitutes an art—nowadays almost anything crafty or creative is called art, and I think we’ve become a little too generous in the definition. I think an art should be something that requires extensive practice, combined with skill, and also be something that impacts the core of one’s being. You can be a fabulous musician, but if there’s no feeling in it, then you’re merely a highly skilled technician rather than an artist. And being a woman is no different—it requires training, education, practice (and failure!), as well as the capacity to feel. Women have to switch between so many roles in one day—bring a nurturing mother, a sensual lover, a hard-minded businesswoman (even if it’s only a household budget), and a creative artist for her own projects—being a woman really does seem like a lifelong practice in mastering an art.

otv: You’ve worked as a journalist. How have your experiences in journalism and media shaped your vision for TNN?

AML: One thing that I love about the Internet is that it’s allowed so many great websites and blogs to flourish that never existed in the days of print journalism. It also allows for a greater variety of opinions, since not everyone on the Internet is beholden to the interests of their advertisers and owners. But one thing I don’t like about the Internet is how casual it’s made writing, due to attention spans getting shorter and the desire of audiences for quick, superficial blurbs of information. With TNN, I bring back more of an essay style for articles, and try to make every article actually worth reading. There are no catchy headlines that fail to deliver any substance.

My first job was at a newspaper, and as a print journalist you’re taught that the space you have for words is very valuable. It could be worth hundreds of dollars in advertising, so you have to make each sentence valuable. You’re also not allowed to delve into your own feelings and experiences like people do with blogs. But readers do like personal stories, so it’s been a challenge to add a little bit of personality to articles, while keeping it at the level of a magazine rather than a personal blog.

otv: In a recent article on TNN discussing the film Coco and Igor, you distinguish between the way the two female characters are presented in the film and posit the question as to which one offers the best model for women. The answer, you suggest, lies in women “maintaining a reverence and adherence to traditional customs and rites, combined with a modern self-determination to follow one’s dreams.” What do you see as the greatest difficulty women today have in achieving this balance? How do you see TNN helping today’s woman aspire to and achieve a balance between these two ideals?

AML: In the film Coco and Igor, the traditional lifestyle isn’t completely working for Stravinsky’s wife. Some parts do—like retaining some Russian décor and clothing—but she’s not able to function well in the changing world and is out-of-touch with her daughters. But Coco Chanel is a little too modern. She’s a little too hard-headed for her business and doesn’t respect the sacred rite of marriage.

Pierre-Auguste Renoir, "Umbrellas," 1883

I think of traditions—whether religious, cultural, or familial—as living things that go beyond the mere external forms, but the external forms are important as well. For example, everyone knows that clothing doesn’t make the person—we don’t say a woman wearing pants is “less of a woman” than one in a long dress. But in a way, clothing does impact the person wearing it quite profoundly. Putting on an evening dress and fine jewelry causes us to act differently than when we’re wearing jean shorts; walking into Notre Dame Cathedral produces a type of spiritual awe that we don’t feel when walking into a church in an office building with TV screens everywhere.

I think about (and struggle with) the dichotomy between a traditional lifestyle and modern individuality every day, and many of the articles on TNN are inspired by my daily life. And these are questions that many women have. How do we dress in a way that’s inspired by the past, without looking like we’re in a Halloween costume? How do we adhere to traditional customs, even for simple things like serving tea, without seeming either pretentious or silly? How can we be traditional wives, while also protecting ourselves financially? I’ll be exploring all of these things as I reshape my own life to better fit my ideals, so readers can follow along on my journey and share their own experiences as well.

otv: One of the functions of TNN is as a virtual art gallery, which is unique. Can you tell us about some of your favorite artists? What message does their work convey about women and beauty that you feel is important today?

AML: My favorite painters are probably the Pre-Raphaelites, since their paintings are not only visually beautiful, but depict stories and myths that are very moving as well. Some of my favorites are John Everett Millais, Edward Burne-Jones, John William Waterhouse, and Eleanor Fortescue-Brickdale.

As for contemporary artists, I love the genre of pop surrealism, especially Nicoletta Ceccoli, Camille Rose Garcia, Joe Sorren, Marc Burckhardt, Ray Caesar, and Mark Ryden—all who draw from the old masters but with a modern flair.

Most of these artists present very idealized images of women, combined with aesthetics from the ancient world, Arthurian legend, or the world of European drawing rooms. These are worlds that, while not better than the present in every way, women long for and are inspired by. I think it’s important to showcase such images to demonstrate the level of beauty that is possible in a society. As the world continues to change, many readers of TNN will be involved in defining how we want our cities, neighborhoods, and homes to be, and considering the great wealth we have today and the advances we’ve made in technology, there’s no reason that we can’t aspire to revive or reinterpret the most beautiful examples from the past.

otv: How is the art you choose for the magazine reflective of the image you’d like to cultivate, both for the magazine and your readership?

AML: Nowadays art has been replaced by advertising. If you look in a magazine, you won’t find any art, just pages and pages of artistic ads. These advertisements are trying to sell you a product, by using an image of a better world. I’m trying to sell that better world itself, and to teach women how to create it for themselves.

otv: Tell us about some of the women who are or have been an inspiration to you. What influence have they had on your concept for TNN?

Frances Macdonald, "Spring," c. 1900-05

AML: There are so many to choose from. I’ve always been fascinated by the stories of women who’ve struggled with having to choose between being an artist and being a wife and mother. These women often thought that women’s emancipation would have a great liberating effect for women, but I’m not convinced the situation is better for women today. Most women still have the same struggles, but with the added stress of working outside of the home added to the mix. In that genre, I’ve been inspired by the writers Sylvia Plath, Virginia Woolf, and Philippa Burrell; the dancer Isadora Duncan; and the diarist and painter Marie Bashkirtseff.

otv: Many women today experience pressure to look, act, or dress a certain way that is not reflective of whom they are on the inside. What advice would you give to the woman who struggles to achieve a real sense of style or beauty in her daily life?

AML: That is so hard to do, and I struggle with it all the time. One of the biggest problems I’ve faced in the fashion arena is that shops today simply don’t offer the type of clothing I’d like to wear. To other women, I’d recommend spending some time reflecting on who you think you are as a woman (or who you want to become), and what type of clothing and lifestyle will help you feel that way.

I’m in the process of revamping my wardrobe (and plan to write about it soon). It involves getting rid of everything that doesn’t fit well or that doesn’t fit the image I want to cultivate for myself. By the time I’m finished, I’ll have much less in my closet, but it will only be the items I truly love—a better wardrobe overnight just by getting rid of things. I’ve found that I have to actually get rid of clothing or put it away, since otherwise I’d never put on a dress when it’s so much easier to throw on a pair of jeans.

As for other areas of life—Kierkegaard talked about how you can only go from one quality to another by a leap (a leap to faith). There are analogies to the type of spiritual despair he discussed even in unhappiness with style and beauty in one’s daily life. For women experiencing this, I think it takes one of these leaps to faith—to either becoming the person you truly think you should be or in freeing yourself of the image of what others think you should be. It takes a conscious decision to start living and thinking in a different way, combined with daily affirmations of the reasons why you’re changing (in order to keep at it until these changes become habits). Of course, this will only change you, and not any externals like having to work in an ugly cubicle or deal with unpleasant people, but eventually these external changes will start changing your spirit and the way you view and interact with the world too.

otv: The time-tested value of virtue and the practice of manners, of acting like ladies and gentlemen, has faded in popularity in today’s culture. How can mothers of young girls work to raise young women who know and value what it is to be a lady? Alternatively, how can mothers raise boys to be men who behave courteously and with a chivalric attitude towards young women?

AML: That is such a tough thing to teach these days! I was buying etiquette books when I was in elementary school, but the influences of other children and the television can make the work of the most devoted parent seem futile—even with a child like me, who had a natural inclination to these things.

Adam Emory Albright, "Children Playing With A Kite"

The most important advice is to get rid of cable TV, or at least screen what you let your kids watch. My husband and I use the money we save from not having TV to build a DVD library, and it works great. (Plus, forcing ourselves to wait until shows come out on DVD is good practice in not getting everything we want right away.)

For young girls, I’d advise finding books and movies that portray the values you want your daughters to have—art is very powerful in shaping ideals and values, especially of young people! Use what you can of their interests to guide them to better values: If they love Disney princesses, show them what princesses from fairy tales or from England are like, and help them to live like a princess in their life by doing volunteer work, respecting others, and being polite and tidy.

For young men, there are a lot of stories of knights and adventurers that can help them find chivalry interesting. Giving them chores and responsibilities that are described as “manly” can help them in their self-esteem, and instill in their minds that men and women are different, and that girls need a little more respect and care than their boy friends.

I’d also enroll both boys and girls in cotillion or dance classes around 4th to 8th grade (the age for these classes seems to vary by location). They’ll learn how to dance (which is one of the best ways to ensure your son will always be popular with the ladies!), will get used to wearing dresses or suits and interacting with the opposite sex in a more formal environment, and will learn a lot of social etiquette too.

I think it mostly comes down to determining what your standards are, sticking to them yourselves, and making your kids do those things too. Although it sounds petty, an explanation as simple and firm as “this is how our family does things,” can be enough to get kids to do something. After 20 years of having to write thank-you notes and make pleasant conversation during dinner, they’ll start bragging to their friends about their upbringing rather than complaining about it.

otv: What is your response to critics who say nobility is out of style or old-fashioned?

AML: There are several ways nobility can be interpreted. One is as “the best,” as I mentioned before. Another is as the rulers of a society. And another is as people of noble soul. And none of these will ever disappear. We will always have people considered “the best” in society and whom others try to emulate, and we will always have some kind of ruling class. Unfortunately, today these people are typically either celebrities or the capitalists who’ve made the most money. Part of the mission of The New Noblewoman is to change people’s perceptions back to what they were for most of history—that the best people are those of the best character, and that those are the ones who should be the leaders of society, whether in the political, artistic, or educational arenas.

otv: What made you decide to offer a free online platform for the magazine and is this platform crucial to TNN’s identity? Any plans for a print edition in the future?

AML: It would be great to have a print magazine in the future—but given the costs associated with printing, distributing, and managing a large staff of writers, designers, and a sales team—it’s not likely unless we receive a lot of investor interest.

I do have plans to do a series of books down the road—both free e-books and print books. Some will be original content, similar to the articles on the website. Others will be compilations of artwork, essays, and poetry. And there are some great books by women that are out of print (or in poor editions) that I’ve love to republish.

otv: Tell us some of your short- and long-term goals for the magazine as it grows.

AML: I’ll be starting a series on concert music, which will highlight some of the great classical recordings that can be seen for free on YouTube. I’ll also be doing more in the “Famous Lives” series and digging up some classic essays to reprint along with the poetry. Another new feature down the road will take readers through various museums and art galleries of the world, including some galleries of contemporary artists.

I’m also looking into starting a non-profit arm of The New Noblewoman. The response to the website so far has been amazing, and there are a lot of people interested in donating money but who need to have a tax write-off. Having a non-profit branch will allow TNN to be not only a website and publishing house, but to focus on outreach in order to start a bit of a cultural revolution among women.

Thank you, Amanda, for your gracious sharing and for the gift of The New Noblewoman — clearly a much-needed presence in women’s media. I encourage all of my one tiny violet readers to take a beauty break and visit The New Noblewoman regularly — it’s free! — to read all of the articles Amanda shares about here, and sign up to receive her weekly e-newsletter, which includes new content posted to the site.

St. Teresa of Jesus (Avila)

Today the Church celebrates the feast of St. Teresa of Jesus, also known as St. Teresa of Avila. She has long been a favorite of mine and is the namesake of my dearest sister, St. Therese of Lisieux. They share a refreshing sense of humor, down-to-earth practicality, and great confidence in God and love for Jesus, all of which I need to deepen in my own life. And apart from that, St. Teresa is the patroness of headache sufferers, which I experience chronically.

In case you don’t know much about this beautiful sister in faith, Benjamin Mann wrote this well-researched and lively article in recognition of her feast for the National Catholic Register. Its definitely worth the few minutes it will take to read and you might just find a new friend in heaven to walk the journey with you in the process.

Words to live by………….

Let nothing trouble you, let nothing make you afraid. All things pass away. God never changes. Patience obtains everything. God alone is enough. Dream that the more you struggle, the more you prove the love that you bear your God, and the more you will rejoice one day with your Beloved, in a happiness and rapture that can never end. . . Hope, O my soul, hope. You can know neither the day nor the hour. Watch carefully, for everything passes away quickly, even though your impatience makes doubtful what is certain and turns a very short time into a long one. — St. Teresa of Avila

The Beauty Collective

Seven Beautiful Paintings by Bouguereau, by Stacy Trasancos Accepting Abundance

Mary, Motherhood, Womanhood, and Faith, by Susan TerbayCatholicMom.com

An Eye for Beauty, by Daniel McInerny High Concepts

Beauty As a Call, by Daniel McInerny High Concepts

The Power of Beauty, by “Sarah” Fumbling Toward Grace

Dolphin Tale’s Positive Portrayal of Homeschoolers, by Peggy Bowes The Integrated Catholic Life

Our Lady of Sorrows

“Simeon blessed them and said to Mary his mother, “Behold, this child is destined for the fall and rise of many in Israel, and to be a sign that will be contradicted and you yourself a sword will pierce so that the thoughts of many hearts may be revealed.” (Lk 2:34-35)

O Mary . . . a terrible sword has pierced your holy soul. Except for God, no one knows of your suffering. Your soul does not break; it is brave, because it is with Jesus.  Sweet Mother, unite my soul to Jesus, because it is only then that I will be able to endure all trials and tribulations, and only in union with Jesus will my sacrifices be pleasing to God. Sweetest Mother, continue to teach me about the interior life. May the sword of suffering never break me. O pure Virgin, pour courage into my heart and guard it. –Prayer of St. Faustina to the Sorrowful Mother (Diary 915)

The Beauty Collective (September)

This is a new feature on one tiny violet. During my infrequent forays into cyberspace, I continue to come across blog posts and articles which focus on the topic of BEAUTY. I decided that since this blog is focused on discovering extraordinary beauty in an ordinary life, it would be worthwhile to showcase these finds in a monthly collective so that others can enjoy them too! If you happen across anything in your own travels through cyberspace that you think might work for The Beauty Collective, please share it with me — post a comment here or email me at 1 tinyviolet at gmail dot com. Enjoy!

Suffering ‘A Precious Thing,’ by Roxane Salonen (CatholicMom.com)

The Dignity of Cinderella, Sleeping Beauty, and Snow White, by Diane Schwind (CatholicMom.com)

A Recommended Book for Young Children, David Clayton (WayofBeauty.com)

A Room of Her Own, by Celeste Behe (CatholicMom.com)

Only Beauty Will Save Us, by Sandro Magister (chiesaespresso)

A Meditation on Woman, in Celebration of the Feast of St. Teresa Benedicta of the Cross

Edith Stein was a prominent Jewish philosopher, writer, teacher, and professor in pre-WWII Germany. After reading The Autobiography of St. Teresa of Avila, Edith converted to Catholicism and eventually became a Carmelite nun, taking the name Teresa Benedicta of the Cross. She continued to write and study. During the war, Catholics of Jewish heritage were arrested by the Nazis and deported to concentration camps. St. Teresa Benedicta was executed in the gas chambers of Auschwitz in 1942. Her feast day is today, August 9.

Much of St. Teresa Benedicta’s work was given to illuminating the role of women and their vocation. She has much to say to us today and deep reading gives echoes of the writings of Blessed John Paul II. The following is taken from “The Ethos of Women’s Professions,” a lecture given by Dr. Stein at a meeting of the Catholic Association of Academics in Salzburg, Austria, on September 1, 1930. The entire text can be found in The Collected Works of Edith Stein, Vol. 2: Essays on Woman.

“Only by the power of grace can nature be liberated from its dross, restored to its purity, and made free to receive divine life. And this divine life itself is the inner driving power from which acts of love come forth. Whoever wants to preserve this life continually within herself must nourish it constantly from the source whence it flows without end — from the holy sacraments, above all from the sacrament of love. To have divine love as its inner form, a woman’s life must be a Eucharistic life. Only in daily, confidential relationship with the Lord in the tabernacle can one forget self, become free of all one’s own wishes and pretensions, and have a heart open to all the needs and wants of others. Whoever seeks to consult with the Eucharistic God in all her concerns, whoever lets herself be purified by the sanctifying power coming from the sacrifice at the altar, offering herself to the Lord in this sacrifice, whoever receives the Lord in her soul’s innermost depth in Holy Communion cannot but be drawn ever more deeply and powerfully into the flow of divine life, incorporated into the Mystical Body of Christ, her heart converted to the likeness of the divine heart.

Something else is related to this. When we entrust all the troubles of our earthly existence confidently to the divine heart, we are relieved of them. Then our soul is free to participate in the divine life. Then we walk by the side of the Savior on the path that He travelled on this eath during His earthly existence and still travels in the mystical afterlife. Indeed, with the eyes of faith, we penetrate into the secret depths of His hidden life within the pale of the godhead. On the other hand, this participation in the divine life has a liberating power initself; it lessens the weight of our earthly concerns and grants us a bit of eternity even in this finitude, a reflection of beatitude, a transformation into light. But the invitation to the transformation in God’s hand is given to us by God Himself in the liturgy of the Church. Therefore, the life of an authentic Catholic woman is also a liturgical life. Whoever prays together with the Curch in spirit and in truth knows that her whole life must be formed by this life of prayer.”